¿qué es catar méxico?

La cumbre del vino mexicano es un escaparate que promueve la cultura del vino y la apreciación de los productos vitivinícolas. Acerca a los productores de vino del país con los consumidores para mostrar las características organolépticas y culturales del vino.

A través del vino, se gesta y promueve cultura general. Catar México propone una dinámica de apreciación histórica, cultural y artística de forma lúdica que permite sensibilizar y experimentar al visitante vivencias inéditas. En su agenda y programación, encontramos eventos de gran calidad artística, actividades para profundizar en el conocimiento del vino y de la gastronomía desarrolladas en recintos arquitectónicos únicos e históricos.

  • 60 +

    expositores

  • 250 +

    gastronomía

  • 6 +

    conferencias | talleres

  • 250 +

    horas

  • Design Education

    1. Design thinking: cognitive modes and learning styles
    2. Design approaches, strategies, methodologies and tactics
    3. Problem solving: recognition procedures, hypothesis developmen
    4. The meaning of innovation and creativity, in theory and practice
  • Design in Society

    1. Design in social policy, planning, and politics
    2. Health, safety, and public welfare in design practice
    3. Design as business
    4. Markets for design and designing for markets
  • Designed Objects

    1. Fashion design and development
    2. Product design philosophy
    3. Industrial and Interior design
    4. Engineering and design
  • Visual Design

    1. Communications design
    2. Visual arts
    3. Typography
    4. Graphic design
  • Design Management

    1. People and artifacts: exploring uses and usability
    2. Participatory design systems
    3. Professional ethics
    4. Design knowledge management
  • Environmental Design

    1. Eco design: environmental and green design
    2. Theater and set design
    3. Interaction design
    4. Landscape architecture
  • Design Practices

    1. The business of design is in a state of flux. The roles, the tasks and the personae of designers are changing.

      No longer the technical expert, the heroic aesthete or the inspired individual of our earlier modern past, the contemporary designer draws upon dispersed sources of creativity and innovation. Collaboration, today, is key. For design practitioners, a central paradox of our times is the increasing specialization, on the one hand, but on the other, the need for more broad-ranging and holistic integration of design tasks, working between and across design disciplines. Design is becoming an ever-more social, indeed sociable, process.

      The imperative to collaborate, moreover, extends well beyond the domain of professional interaction and working in design teams. It also extends to the relationship with the users, clients and consumers of design. Designers today need to build deeply collaborative relationships with their ‘public’. Participatory design and user-centered design are just two key phrases that capture the spirit of this imperative.
  • Design Modalities

    1. Design’s modalities are also in a state of flux, its working tools of representation, communication, visualization and imagination. Digitization of text, sound, and still and moving image is one important site of transition. This has spawned new practices of modeling and simulation, of prefiguring the real in the virtual. It has also introduced the virtual as a design end-in-itself.

      Designers need to able to ‘do’ a multimodal professional design discourse. They must speak and write their way through complex collaborations with co-designers and interactions with users. They need to be able to ‘do’ visualization as they explore design alternatives through mental images and picture their visions into reality. They need to be able to represent spatial realities, prefiguring the three dimensional through the two dimensional and turning plans into tactile artifacts, manipulable objects, architectural spaces and navigable landscapes. The new, digital media provide newly flexible and accessible tools for multimodal and synaesthetic thinking. Today’s media inventions have become the mothers of design necessity.

PROGRAMA

Conoce el programa oficial de la Cumbre del Vino Mexicano – Catar México 2015:

EXPOSITORES

En este magno evento convergen especialistas, enólogos, somelliers y productores vinícolas para dar a conocer y profundizar sobre el conocimiento del vino, sus maridajes y tendencias. Los mejores productos gourmet como charcutería, quesos y ultramarinos acompañan esta gran muestra.

VINÍCOLA TOYÁN

San Miguel de Allende, México

Vinícola Toyan está localizada a 10 minutos del Centro de San Miguel de Allende, su nombre de origen náhuatl significa “donde nace el conocimiento” su historia data desde 1995.

En estos 18 años de amor, trabajo y dedicación a la tierra, hemos obtenido cultivos orgánicos con certificación por parte de la empresa alemana CERES y ahora, se suma la siembra y cosecha de Vid. 

En el año 2006 iniciamos la siembra de uvas, para obtener la primera cosecha en el 2008 y es hasta el 2012 cuando sale a la venta nuestras primeras botellas cosecha 2009.

Entre los atractivos de esta casa vinícola además de los campos de cultivo y viñedos, esta su espectacular cava, la única en México 14 metros bajo tierra y su anfiteatro con capacidad para 1500 personas diseñada para eventos y espectáculos al aire libre.

Boletos

Patrocinadores

Contacto

Catar México
TELÉFONO

(473) 690-06-83.